Best mirrorless cameras | Introduction
Mirrorless (or system) cameras have taken a significant share of the market previously held by DSLR cameras. The reason for this is compactness, a simpler and more reliable design, and in many cases - more high quality images at a comparable price.
The opposite trend also occurs: SLR cameras are becoming more and more like mirrorless cameras from a functionality point of view. New opportunities are appearing in live view mode, video shooting mode is being improved - in a word, everything for which the presence of a mirror is, rather, a hindrance or an atavism. Why do you need a mirror at all if the camera takes excellent pictures without it?
At the same time, if earlier mirrorless cameras were, rather, younger brothers SLR cameras, now everything looks far from so obvious. First of all, in terms of price: now it is approximately the same if we are talking about models of the same level and generation.
Two things remained unchanged: the ability to change optics and various photo accessories, as well as a wide range of shooting modes even for the most inexpensive and simple model (since mirrorless there is a direct alternative to a DSLR).
Best entry-level mirrorless camera: Olympus PEN E-PL8
E-PL8 (from RUB 38,000 with lens) somewhat reminiscent of the first models of film "Leeks" and "FEDs" - the same uncompromising compactness, the same rounded ends, the same usage profile. The creators of the E-PL8 sought to achieve a better ratio of image quality and compactness of the camera.
The heart of the E-PL8 is a Live MOS sensor with a resolution of 16 MP (4608 x 3456), corresponding to the Four Thirds standard (17.3 x 13 mm). The proprietary TruePic VII processor is responsible for image processing. Despite its compact size, the new product is equipped with an image stabilizer based on matrix shift (sensor-shift), operating in three planes and allowing you to use shutter speeds up to 3.5 stops longer.
Considering that such a compact camera is supposed to be used with an equally compact pancake lens (otherwise it loses its main “trump card”), the presence of a built-in stabilization system is extremely valuable: all compact lenses for the micro 4/3 system do not have their own optical stabilizer.
The camera dimensions are 115 x 67 x 38 mm, weight – 357 g. Three color options are expected: black, white and brown. The stylish design is complemented by original Olympus leather cases and straps, made in the same color as the camera.
Autofocus is implemented based on the contrast detection method and cannot boast the same speed characteristics as SLR cameras. At the same time, in recent years Olympus has continuously improved the focusing system in mirrorless cameras. If we evaluate the 81-point autofocus of the E-PL8, taking into account the fact that we are talking about a purely amateur camera, there should be no complaints about the speed and accuracy of autofocus.
The AF system offers some useful features that are typical for compacts: focusing in the face detection mode and touch focus. As you might guess, if touch focus is provided, then the camera’s LCD display is touch-sensitive. The display diagonal is 3 inches. The display can be tilted up and down and even rotated 180 degrees, so this camera is perfect for selfie lovers.
There are no “advanced” controls for the shooting process on the E-PL8 body. The shooting mode dial and the unnamed command dial (its functionality depends on the selected mode) are the main controls of the E-PL8. Everything else can be configured using several function buttons and a navigation pad located to the right of the display.
The USB connector complies with the 2.0 standard, so you shouldn’t dream of high speed when copying pictures. But there is a built-in Wi-Fi module, which can be used, among other things, for remote control of the camera using a smartphone.
One of the few features of the E-PL8 that is typical for higher-end digital cameras is its continuous shooting speed. 8 frames/s is an excellent indicator for amateur mirrorless cameras.
Video is recorded with a resolution of up to 1920x1080/30p and stereo sound, although in the era of widespread adoption of the 4K standard, these characteristics are unlikely to surprise anyone.
The BLS-50 battery allows you to take about 350 shots (measured using the CIPA method). Not a bad indicator for a casual camera!
So, the E-PL8 is reminiscent in spirit of the film rangefinders of yesteryear. This camera has a good sensor and image stabilizer, but everything else depends on the quality of the optics. Today, this is one of the most inexpensive models on the market - its cost is about 34 thousand rubles without a lens and about 40 thousand with a M.Zuiko 14-42mm f/3.5-5.6 zoom lens.
Note that for the open micro 4/3 standard there are many truly amazing lenses from Olympus, Panasonic, Leica and some second-tier optical manufacturers. We would recommend abandoning the standard zoom lens and purchasing a higher quality one, for example, the Olympus M.Zuiko 25mm F1.8.
Best mirrorless camera for videography: Panasonic Lumix DMC-G85
The first thing you notice when looking at the DMC-G85 (from $1000 with lens in the USA, not yet sold in Russia)- DSLR style design. What interesting things can this model offer?
In terms of photo quality, the DMC-G85 is close to the Olympus E-PL8 (it uses exactly the same Live MOS sensor), but there is a difference: here the photos look sharper, which is due to the lack of a filter low frequencies in front of the matrix. The absence of an AA filter places special demands on post-processing of images in order to avoid the moire effect. In this regard, we prefer the Olympus approach: to get the same “glamorous” result that the PEN E-PL8 produces without any processing, in the case of the DMC-G85 you will have to tinker in a graphics editor. If you have such a desire, then you can squeeze more detail and quality out of this camera.
The camera chassis is made of magnesite. There is protection from rain and dust. The DMC-G85 can easily be confused with a DSLR, not only because of its design, but also given its relatively large dimensions: 128x89x74 mm, weight - about 500 g.
One of the key advantages of the DMC-G85 is ergonomics. The display rotates in all planes. There are two command disks. Both are easy to rotate with large and index finger holding the camera with one hand. The function buttons Fn1 and Fn2/Q.Menu are also available in the same way. There are a total of 5 physical function buttons and 5 touch zones on the right edge of the display. All these buttons/zones can be assigned to one or another menu function, which makes the process of setting up the DMC-G85 during shooting extremely convenient.
The electronic viewfinder is made using OLED technology and has 2.36 million dots - it is exactly the same as in most other mirrorless cameras.
One charge allows you to take about 320 shots (measured using the CIPA method). This is not the best indicator. However, you can significantly increase battery life (up to three times) when used when shooting with the electronic viewfinder in power saving mode. In this mode, the EVF turns off automatically 3.5 seconds after the owner stops using the camera (using the eye detection sensor readings).
The stabilization system based on matrix shift (sensor-shift) operates in five planes and can be used in combination with optical stabilization, which increases the effectiveness of combating image blur on long exposures. This is the second generation of the Dual IS 2 system, but it only works when using proprietary Panasonic lenses. Otherwise, you will have to choose which stabilization system to use - in the camera or in the optics.
The 49-point AF system is based on the contrast detection method and includes functions typical of point-and-shoot cameras: focusing with detection of faces in the frame, touch autofocus.
The camera is equipped with a Wi-Fi module, through which you can both control the shooting process from your smartphone (using the appropriate application), and upload pictures to your computer, view video from the camera, etc.
Video recording is one of the key areas of use for the DMC-G85. The camera allows you to shoot in 4K (3840x2160/30p) and 1920x1080/60p resolution. In video recording mode, the following functions are available: focus peaking ("enhancing the contours" of a focused object), highlighting overexposed areas and adjusting the microphone sensitivity level (when adjusting the microphone, you can turn on a filter against wind noise). For more serious videography tasks, there is an output for an external microphone. Color-contrast settings are provided, as when shooting photographs in JPEG mode.
Mass Market Contender: Canon EOS M5
M5 – flagship mirrorless from Canon. M5 (from RUB 84,000 with lens) equipped with a 24-megapixel CMOS matrix with support for Dual Pixel AF technology. The image resolution is 6000x4000, the physical size of the matrix is 22.3x14.9 mm (APS-C).
The creators of the M5 took the semi-professional SLR camera EOS 80D as a basis - the new product inherited from it a matrix with Dual Pixel AF technology. Dual Pixel AF technology debuts in mirrorless cameras Canon, and previously it was found in some SLR cameras from this manufacturer (it first appeared in the EOS 70D model). It's Canon's most efficient and fastest live view AF system today.
In the central area of the sensor, which covers approximately 64% of the entire image, there are 49 hybrid photodiodes that are used for both shooting and focusing. These photodiodes are paired: they consist of two “halves” directed towards different sides from the lens axis. By analyzing the difference in brightness level received from such a photodiode, the camera determines the distance to the object and focuses on it, using the same principle that is implemented in the phase detection autofocus sensors of SLR cameras. The Dual Pixel AF system ensures fast and accurate focusing in photo mode and when recording video.
Unlike the Canon 80D SLR camera, the new product uses a more powerful Digic 7 image processor. The speed characteristics are the same: 7 frames per second when using AF, or 9 frames with a fixed focus point.
Externally, the M5 resembles a professional Canon DSLR reduced in size by 2-3 times - from the 5D or 1D line. Compared to others mirrorless cameras, it has average dimensions: 116x89x61 mm, 427 g. On the upper end of the camera, along the edges, there are dials for shooting modes and exposure compensation, and to the left of the exposure compensation dial is a command dial. Another command dial is installed around the shutter button.
The LCD display has a diagonal of 3.2 inches. It can be tilted up to 85° or tilted down and rotated 180° when taking selfies. The screen is touch sensitive and is used during shooting for quick settings individual parameters, illumination of the focused object (focus peaking function) and selection of the focusing object. Note that the touch focus function, which we have encountered in other models, is implemented by Canon in a very original way and is called “Touch and Drag AF”. Instead of telling the camera where to focus by tapping your finger on the touch screen, we are asked to drag the focus frame along with the subject - this is important if the subject in the frame is moving. The function works even if the electronic viewfinder is used and the LCD monitor is turned off (!). In other words, the screen serves as a kind of “joystick” that allows you to track the target.
The electronic viewfinder is made using OLED technology and has 2.36 million dots - it is similar to that of the Panasonic DMC-G85.
Bluetooth and W-Fi/NFC available. Using the latter, you can remotely control the camera using a special smartphone application.
The LP-E17's battery can take approximately 295 shots on a single charge – worst indicator in our review. There is an economy mode that involves using only the EVF, in this case you can count on about 400 shots.
But perhaps the most obvious drawback of the Canon M5 is the lack of a 4K video recording mode. On the other hand, 1920x1080/60p quality is more than enough for 99% of current tasks. Another thing is that there are other negative aspects from the point of view of videography. In particular, you cannot use optical image stabilization; only electronic stabilization is available for video.
In general, except, in fact, “DSLRs”, no other cameras have this same mirror. However, cameras with interchangeable lenses, which are in many ways similar to those same “DSLRs,” are called mirrorless. You can also often find the name “system camera” and the designation DSLM.
Removing the mirror allows you to reduce the “working distance” - the distance between the lens mounting plane and the image sensor plane. And this, in turn, makes it possible to reduce the overall dimensions of the camera. Is it possible that “mirrorless” cameras, due to the lack of an optical viewfinder and the need to install an electronic one in addition to the LCD screen, have a relatively short battery life - 300-500 shots on average.
Due to their small size, as well as lower prices than DSLRs, mirrorless cameras have become very popular, especially among amateur photographers.
So, you wanted to buy yourself a mirrorless camera. Where to start choosing the right model?
Crop factor
One of the most important parameters when choosing a mirrorless camera is the crop factor. Simply put, this is a number showing how many times the size of the camera’s sensor (matrix) is smaller full frame, having dimensions 36x24 mm. Modern DSLRs generally have crop factors of 1.5, 1.6, and, in fact, 1. Mirrorless cameras have more choice - in addition to those already mentioned, 2 and 2.7 are also widely used.
BayonetSony E and a matrix with a crop factor of 1.5
The crop factor value helps in many cases - for example, when calculating the equivalent focal length. If we have a lens with a focal length of 18 mm screwed to a camera with a matrix having a crop factor of 1.5, then the equivalent focal length of the resulting image will be 1.5x18 = 27 mm. That is, a full-frame camera would need a lens with a focal length of 27 mm to get the same frame with a similar geometry.
However, the practical significance of the crop factor is different. The higher the crop factor, the smaller the matrix, the less light it receives and the higher the depth of field of the imaged space (DOF) at the same aperture number f. Moreover, the latter can be a plus, especially when filming video and subject photography. It's easier to focus and more objects in the frame will be in focus.
Bayonet (system)
Interchangeable lenses require compatibility with specific mounts for them - these mounts are called mounts. As a rule, each manufacturer has its own proprietary mount (or several mounts), but there are exceptions to this rule.
For example, Sony has two types of mounts - Sony E and Sony A. E is used in mirrorless cameras with a crop factor of 1.5 and 1, and Sony A (Minolta A) is used in DSLRs.
Nikon J4 mirrorless camera is one of the most compact mirrorless cameras
The same can be said about Nikon. The company uses the Nikon F mount only in SLR cameras, and for mirrorless cameras a different format has been developed - Nikon 1. These mirrorless cameras, by the way, have the highest crop factor - 2.7, like the compact digital cameras Sony RX100 and Canon G5X. Therefore, in our opinion, instead of Nikon 1 mirrorless cameras, it is better to take one of these compacts.
But the Micro Four Thirds (Micro 4/3) mount is used by several manufacturers: Olympus and Panasonic. That is, Olympus lenses fit perfectly with Panasonic cameras and vice versa.
Panasonic GH5 mirrorless camera is a great option for shooting video
When choosing a mount, it is important to first estimate how many lenses are available for it, what they are, and how much they cost. “Moving” from one system to another is quite difficult - you will have to sell both the camera and all the lenses and buy everything new. This can be quite costly. Therefore, choosing a mount is essentially the most important step in choosing a mirrorless camera. If you eventually want to change your camera to a more modern or more functional one, you can probably find many suitable new products from the same manufacturer, but you won’t have to change lenses.
Lenses
The temptation of any novice photographer is to buy lenses for all occasions. Wide-angle, tele, portrait, macro... The truth of life is that if you don’t make a living from photography, then you don’t need them. Ideally, one or two lenses are enough for you, but it is advisable that at least one of them is a prime lens with a high aperture - f/1.8 or even f/1.4. With its help, you can get maximum image sharpness, which is especially useful when the camera matrix resolution is 20 megapixels or higher.
Also, as an option, you can buy a zoom lens with a constant aperture (ideally f/2.8), but this will be very expensive.
The author of these lines makes do with two lenses. One is a standard one, which came with a camera (“whale”) 16–50/3.5–5.6 mm with a camera crop factor of 1.5. The second is a 35/1.8 prime lens. Here, aperture values are indicated separated by a slash.
Cameras for professionals
We have decided on the basic concepts, now let's go through specific product categories.
In fact, if you consider yourself a professional, then you don’t need our advice. However, in case you are a professional photographer, but have previously worked only with DSLRs, and then decided to try mirrorless cameras not as a second camera, but in real life, then we recommend the latest editions of Sony Alpha A7: II or III. These are full-frame mirrorless cameras that provide truly “professional” quality. At the same time, they are lighter and even cheaper than their “mirror” counterparts.
Sony Alpha A7 full-frame mirrorless camera - for professionals
Unfortunately, there are no direct competitors to the Sony A7 in the mirrorless camera market today. In any case, if you are interested in the full frame. However, there are even medium format mirrorless cameras - the Hasselblad X1D and Fujifilm GFX 50S.
Cameras for amateurs and beginners
For non-professional photographers, we recommend, firstly, not to chase the most expensive models. It is better to buy an expensive lens and a cheaper camera than vice versa. In addition, almost all manufacturers do not change matrices in every new camera model. For example, Olympus still uses, with minor changes, a matrix developed for the OM-D E-M5 camera, which was released back in 2012.
Sony has seriously redesigned the image sensor since the NEX line of cameras, but little has changed since the A6000 (2014). The same goes for Panasonic and Fujifilm, as well as Canon.
However, Canon mirrorless cameras have not gained much popularity - they take quite a long time to focus and, in general, are not particularly functional, although their advantage is that they use the same image sensor as amateur-level Canon SLR cameras.
Fujifilm X-T1 mirrorless camera - for retro lovers
Fujifilm is suitable for retro lovers - because of its appearance. They also shoot very well, but previously one could praise the manufacturer for the absence of “extra” lenses in the line - yes, all the lenses were not very cheap, but the image quality and functionality were at their best. Apparently, under market pressure, Fujifilm began to make not only inexpensive cameras, but also cheap lenses. Moreover, some camera and lens models (for example, Fujifilm X-E3 Kit) seem to be copied from Olympus. By the way, we do not recommend using Fujifilm (as well as Olympus) for video shooting.
Sony are multi-functional all-rounders. They take both video and photos excellently, but the price of new models can be intimidating. Fortunately, relatively old ones - the same A6000 - can still be found on sale. True, there is no video shooting in 4K yet - for this you can take the updated model, the A6300.
Sony A6000 mirrorless camera with 35/1.8 prime lens
Panasonic Lumix G series - these cameras are used primarily for shooting video. They also do a good job with photos, however, both functionality and convenience are “tailored” specifically for video shooting. For example, Sony still does not have the ability to start shooting video using an application on a smartphone (which is funny, because the Sony RX100 has such a function). Another important advantage of Panasonic cameras is that the manufacturer has models for different budgets. Let us remind you that when upgrading to a more expensive camera, you will not have to buy lenses again. By the way, since Panasonic cameras have a Micro 4/3 mount, there are the largest number of lenses on the market for them - also in different price categories, from very cheap to very expensive.
Previously, at public events, professional photographers stood out from the crowd, proudly carrying large SLR cameras, plus several lenses in a case. The technological leap has led to the fact that the functions of heavy models are successfully performed by small mirrorless cameras. How are they different and why are they so praised?
The revolution in the world of photography began when Olympus launched its first mirrorless camera, the Pen E-P1, in 2009. This was a signal for change.
A mirrorless camera, or system camera, primarily attracts attention with its light weight. Manufacturers achieved this by removing the mirror system from the design, which was heavy and took up a lot of space. The mirrorless camera has built-in large sensors and a universal connector for any lenses from SLR cameras.
The system camera does not have an optical viewfinder. In order to frame the picture, a special display on the rear panel is used. The cheapest mirrorless cameras do not have a viewfinder at all, they simply crop the image on the LCD screen, like a smartphone or point-and-shoot camera. Starting from the middle class, models have an electronic viewfinder.
Where do mirrorless cameras win?
Mirrorless cameras are called system cameras precisely because they are systematic, i.e. for the opportunity to supplement the basic package with microphones, flashes, lenses, viewfinders, and light.
Mirrorless cameras have a number of advantages over their competitors:
- They even fit in your pocket. Indispensable for walks and travel;
- have all the shooting modes needed by a professional. Macro, landscape photography, portrait with background blur function, etc. Mirrorless cameras will satisfy even sports reporters, because... have a time-lapse shooting mode with 8-15 frames per second;
- Before you click the button, you will see what the finished photo will look like.
- democratic prices for middle-class models from 50 tr. with original lens. If desired, professional optics can be purchased.
The disadvantages include:
- increased energy consumption;
- quite complex multi-level menu. Some buttons did not fit on the small body, and they were moved to the camera menu, which increases the preparation time for photographing objects in different conditions.
Rating of top manufacturers from the best mirrorless system cameras 2016
- Olimpus offers a wide range of mirrorless cameras with Micro Four Thirds sensors for excellent image quality. The most popular cameras: OM-D E-M10 and OM-D E-M1. The first of them, a participant in many exhibitions, was awarded diplomas for the optimal ratio of quality and cost. Its advantages: classic design, shooting speed, manual and semi-automatic control. Model OM-D E-M1 – designed for shooting professional reports.
- The devices of the Japanese corporation Fujifilm have a special matrix of their own design and suitable optics. Photos taken with cameras from the famous manufacturer are distinguished by the sharpness of all, even the smallest, details. Fujifilm X-M1 and Fujifilm X-T1 are strong DSLR competitors. The first model belongs to the middle class, the second – to the premium segment. Both cameras are packaged in stylish, durable cases that are resistant to frost and moisture, and have the ability to connect to Wi-Fi.
- Sony Corporation has entered the mirrorless market with two system cameras. Sony A6000 and Sony A7. The ergonomic A6000 attracts attention thanks to its unique 4D autofocus. The high resolution of the image and the ability to “upgrade” the camera with applications downloaded via Wi-Fi are surprising. Sony A7 is a camera with a full-frame matrix that allows you to shoot as quickly as possible. Features high-quality video recording and wireless transmission data.
Olimpus is one of the most popular manufacturers of system cameras
Review of prices for mirrorless cameras
With the growth of the dollar and the demand for system cameras, they are slowly rising in price.
Advice. Judging by expert market analysis, the cost, depending on the model, increases by 5-10% per year. Therefore, experts do not recommend postponing the planned purchase.
The average cost of devices from Olimpus is from 27-28 thousand rubles.
Fujifilm offers models starting from 32 thousand rubles.
Sony – from 50 thousand rubles, and Panasonic – from 53 thousand rubles.
If you choose cameras based on their technical characteristics, such as matrix size, aperture, zoom, shutter speed, etc., then you cannot do without professional advice. The best option You will first decide what exactly you need a camera for, and then choose a mirrorless camera if possible to meet these needs:
- Studio shooting.
- Videos for posting on the Internet.
- Creative photography. Interesting stories for media, Internet resources, banners, etc.
- Photos for the family archive, including reports on travel, holidays, hikes, etc.
The average cost of Sony mirrorless cameras is about 50 thousand rubles.
With this approach, you will be able to choose exactly what you need without overpaying, for example, for high-quality video or Wi-Fi.
On this page you will find the best mirrorless cameras that are turning around on the market today, ranging from model options entry level with tempting advantages from traditional DSLRs. From a technical point of view, all compact point-and-shoot cameras can be classified as mirrorless cameras, but on this page, we will look at models with a large sensor that can compete with DSLRs in functionality, quality and control.
We will discuss system cameras with both interchangeable and fixed lenses. But, again, they are all united by the presence of a large sensor, high-quality optics, a large amount of control, decent functionality and, of course, the absence of a mirror. Many experts are convinced that these cameras are the future of photography, so if you are thinking about purchasing a mirrorless camera, then this is a promising direction.
In this list, we are not covering Sony digital cameras with a translucent mirror (SLT), as by definition they are not included in our category, but we will pay attention to them in other reviews.
Olympus E-PM1
The Olympus E-PM1 is one of the most affordable system cameras available today. With its release, the company expanded the range of models designed for those consumers who have outgrown the point-and-shoot camera or are looking for a more portable alternative to a budget DSLR. This camera is smaller, lighter and much more affordable than the more complex E-PL3 and E-P3 models. But don't let the price and position in the range fool you. The E-PM1 features the same 12-megapixel sensor as the more expensive PEN cameras. It also features a full-size hot shoe for accessories and, like all Olympus models, it boasts built-in stabilization that works with whatever lens you're using. A fusion of large manual controls and the ability to use an auto mode, depending on your preferences, the E-PM2 has it all at a balanced price. Moreover, this is one of the most available ways enjoy an extensive catalog of Micro Four Thirds lenses.
Pros
: Built-in stabilization, 1080i video recording, hot shoe, affordable price, wide range of compatible lenses.
Cons
: Flash is supplied, but not built-in. There is no touch screen.
All in all
: An affordable system camera that doesn't compromise.
Nikon J1
Panasonic GX1
Panasonic GX1 is a 16-megapixel compact system camera of the Micro Four Thirds standard. This is quite a pocket camera without a built-in viewfinder, but unlike latest models GF, it is aimed directly at enthusiasts. So it has a touch screen, grip options, and plenty of settings controls. It also features a pop-up flash and a standard hot shoe mount that you can use to mount an external flash or an optional electronic viewfinder should you need it. Like all the others modern models Micro Four Thirds, the GX1 uses non-phase detection contrast autofocus, but it is very fast. HDR fans will be happy to find that the camera is capable of seven frames of bracketing. On the other hand, there is no jack for an external microphone, the screen is fixed, and unlike the Olympus PEN and OMD models, there is no built-in image stabilization. But in general, the quality of 1080i photos and videos is inherited from the G3, which indicates a high, user-satisfying level. This model is an excellent choice for a working holiday due to its compact size, extensive control and compatibility with a large catalog of Micro Four Thirds lenses.
Pros: Fast focusing, touch screen, wide catalog of lenses.
Cons: The screen is not tiltable, there is no microphone jack and 1080p video, and there is no built-in stabilization.
All in all: Great for enthusiasts who want a lot of control in a small package.
(module Yandex direct (7))
Sony RX100
Olympus E-PL5
Canon EOS M
Sony NEX 5R
The NEX-5R sits in the middle of Sony's range of compact mirrorless cameras. It uses a DSLR-sized sensor in a much smaller package. Like all NEX models, the 5R features an APS-C sensor, which is popular in most budget mid-range DSLRs. The 5R sensor has a resolution of 16 megapixels and video can be recorded in 1080p. Sony has added the ability to tilt vertically to this model's 3-inch touchscreen for easy composition from unusual angles. Like most Sony cameras, the NEX-5R also boasts a wide range of innovative shooting modes that can combine multiple images to reduce noise or create breathtaking panoramic shots. The camera provides a manual focus guide for video recording. The frame rate for continuous shooting is 10 frames per second. As an innovation over its predecessor, the 5R features a Wi-Fi module that allows you to upload images from the camera directly to social media, and you can also control the camera remotely using a smartphone. We also note that hybrid autofocus is fast and accurate. If you can live without Wi-Fi and autofocus improvements, then consider what this model's predecessor, the NEX 5N, offers.
Pros: Large APS-C sensor, tilting touch screen; 1080p video recording; Wi-Fi; hybrid autofus.
Cons: No hot shoe for optional accessories.
All in all: One of the most feature-rich and best mirrorless cameras.
Sony NEX 6
The Sony NEX 6 sits between the NEX 5R and the top-of-the-line NEX 7, and in many ways it's a cross between the two. Like all NEX series cameras, it packs an APS-C sensor, but to avoid stepping on the flagship's toes, Sony equipped the NEX 6 with the same 16-megapixel sensor as the 5R, allowing the NEX 7 to reign supreme with 24 megapixels. Externally, the NEX 6 is very similar to the NEX 7 with its tilting screen, high-resolution OLED viewfinder and pop-up flash. Although magnesium alloy is not used as the body material for it, and a microphone jack is not provided here. The camera allows you to switch between PASM and Auto modes simply by turning the dial. Like the NEX 7, there's a standard hot shoe that makes it easy to attach external accessories. Also, like the NEX 7, it also has built-in Wi-Fi, which can transfer images to a smartphone or directly to social networks. Unfortunately, the 5R lacks a touchscreen. But, nevertheless, for many, the NEX 6 model will be to a greater extent more attractive than the NEX 7, especially when paired with the new 16-50mm zoom lens. So think about whether you really need 24 megapixels and a magnesium alloy body rather than a plastic 16 MP one.
Pros: OLED viewfinder, adjustable screen angle, standard hot shoe, Wi-Fi, hybrid autofocus.
Cons: Missing is the NEX 7's 24 megapixels, mic jack and rugged body, as well as the 5R's touchscreen.
All in all: If you're happy with 16 megapixels and a plastic shell, then you probably won't need anything more than the NEX 6.
You can take a closer look at this camera.
Sony NEX 7
The NEX-7 is Sony's flagship compact system camera. Like all NEX cameras, it uses an APS-C sized sensor, but unlike previous models, it's 24MP. This is the first NEX model with a built-in electronic viewfinder, which, by the way, is one of the best. There is also a pop-up flash, a hot shoe and a microphone. Additionally, you get 10fps burst speed, 1080p video recording at 50/60P, and a vari-angle screen. And it's all packed into a body that's even more compact than traditional DSLRs. It can be stated that the NEX 7 is one of the best mirrorless cameras today, although it is worth comparing it with the Olympus E-M5 and Panasonic GH3, which currently have a much wider selection of native lenses and protection against atmospheric influences, to which the E-M5 also adds in-body image stabilization. If having 24 megapixels and a microphone jack isn't important to you, then you might want to consider the new Sony NEX-6, which adds Wi-Fi, a mode dial, and a standard hot shoe.
Pros: Excellent electronic viewfinder. Large selection video modes. Mode dial.
Cons: No weather seal. Basic bracketing.
All in all: One of the best high-end system cameras.
You can take a closer look at this camera.
(module Yandex direct (9))
Olympus OMD EM5
The OMD E-M5 is Olympus's first mirrorless compact camera with a built-in electronic viewfinder and weather sealing. It is made in the style of the OM series, which was extremely popular in the seventies with its 35 mm SLR cameras. But inside the E-M5 has quite modern content based on the Micro Four Thirds standard. It uses a 16-megapixel sensor. And the camera offers 9fps shooting, 1080p video recording, a tilting 3-inch OLED touchscreen, and built-in 5-axis image stabilization that works with any lens. Olympus also claims to have the world's fastest autofocus. Some may consider the lack of a built-in flash and microphone jack to be a drawback, but overall this is one of the nicest compact system cameras around. You can compare it with Sony NEX-7 and Panasonic GH3.
Pros: Weather sealed, large viewfinder and screen, built-in 5-axis stabilizer, wide catalog of lenses.
Cons: No built-in flash and microphone jack; The screen tilts but doesn't flip over.
All in all: Truly meets the needs of discerning mirrorless camera owners.
You can take a closer look at this camera.
Fujifilm XPro1
Fujifilm X-Pro1 is a mirrorless camera aimed at advanced enthusiasts. It has a retro design with an innovative hybrid viewfinder and a 16-megapixel X-Trans APS-C sized sensor. But it doesn't use the traditional Bayer color filter. FujiFilm uses its own unique system color filters, which provides more accurate results. Traditional analog controls are also available. Moreover, instead of just one, the camera offers a choice of three zooms. Autofocus and video modes are unremarkable and there are a limited number of native lenses, making the E-M5 or NEX-7 more flexible in this regard, but the quality, style and degree of control with the X-Pro1 is sure to please photographers. And while it's more expensive than most mirrorless cameras, this camera is much cheaper than the Leica M9. And if you value the image quality and lenses of the XPro-1, but can do without a hybrid viewfinder, then consider the new, smaller and more affordable X-E1 model.
A camera is a piece of equipment whose cost can vary from several thousand to a couple of million rubles (for example, a medium format Hasselblad H4D-60 costs 40 thousand dollars). Therefore, in order for our rating to be of interest to a wide range of readers, and not just those with an unlimited budget, we decided to make price/quality ratio the main selection criterion.
In this article you will not see another debate on which camera is better - Canon or Nikon, DSLR or mirrorless, cropped or full-frame, but will get a selection of cameras tested by thousands of users, the purchase of each of which will be successful. Now let's move on to the rating of cameras by image quality in 2017.
DSLR cameras
For reference: a full-frame camera has a matrix measuring 36*24 mm, a cropped one – 23.6*15.8.
FF is capable of producing better images at high ISOs and gives more control over depth of field, while crop benefits from a more affordable price.
Full frame cameras
A full-frame camera with a 36*24 mm sensor was previously a luxury that only professional photographers could afford. Nowadays, full frames can often be seen in the hands of amateurs; they are bought not only for commerce, but also for the soul. If you want to buy an FF and know exactly why you need it, we recommend paying attention to the following models.
Canon 5D Mark 4
5D-M4 is a professional camera that replaced the popular 5D-M3. The most talked about new product of 2016 did not disappoint expectations: the Kenon 5D-M4 acquired a new 30.4 MP sensor, an improved focusing system, a set of various wireless sensors (Wi-Fi + NFC, GPS) and the ability to record video in 4K resolution.
In all other respects, it is still the same reliable workhorse for professionals, with minor improvements on all fronts. The 5D Mark 4 can be recommended to most commercial photographers; it is suitable for all genres - from portraiture and advertising to reportage photography and videography. Price – from 190 thousand rubles.
Nikon D750
Nikon D750 is an excellent universal full frame with moderate resolution (24.3 MP), high continuous shooting speed (up to 6.5 fps) and very tenacious autofocus. Among the advantages of the D750, we note a rotating screen, trouble-free operation at high ISOs (complete absence of noise up to 6400), the presence of two memory card slots, a Wi-Fi module and good battery life.
Disadvantages - the minimum shutter speed limit is limited to 1/4000, slow focusing in LiveView mode and a small information display. But nevertheless, it is a well-balanced camera that can be considered an excellent choice for anyone wanting to get acquainted with full frame. Price – from 110 thousand rubles.
Sony A99
The A99 is a camera whose unique feature is the use of a translucent mirror, thanks to which engineers were able to implement autofocus in video mode, which, in addition to the presence of a built-in stabilizer, makes the A99 one of the best full-frame DSLRs for video shooting.
When it comes to photography, the A99 is no slouch; the camera produces excellent image quality, with pleasant color rendition, excellent detail and dynamic range, but at the same time it is inferior to its counterparts from Canon and Nikon in terms of autonomy and the effectiveness of autofocus tracking. Price – from 125 thousand rubles.
Canon 6D Mark
Canon 6D is the most affordable full frame on the market, which can rightfully be considered “people's”. The 6D is made of a magnesium alloy body, its dimensions are more compact than those of professional DSLRs, but there are no complaints about the device in terms of ergonomics. As well as in terms of the quality of high ISO performance, it is at the level of its older brothers.
But it was not without its drawbacks: so that the 6D did not compete with the 5D line, it cut down the focusing system (only 11 points of which 1 is cross-shaped), left 1 slot for a flash drive and limited the buffer size (7 RAW frames) and burst speed (4.5 k/s). Despite all the disadvantages, there are no analogues to 6D among full frames, since in its face a full frame can be obtained for only 70-80 thousand rubles.
Cropped cameras
Despite all the attractiveness of the full frame, it is most rational to start getting acquainted with photography with cropped cameras. And the following models are best suited for this.
Nikon D3300
Nikon D3300 is an excellent amateur camera, time-tested. Nikons of the D3300 series have everything that a novice photographer might need: the device copes well with noise at ISO range up to 3200, has a decent dynamic range that gives full possibilities for photo post-processing, and tenacious 11-point autofocus (there is also a rangefinder for manual focusing).
The disadvantages include the lack of an automatic HDR mode and a Wi-Fi module, which does not allow you to control the shutter release from a smartphone or synchronize the device with a PC to transfer files. But considering all the above advantages and the price of 30 thousand rubles, the disadvantages are not critical. If you are looking for an inexpensive and good reflex camera, you can safely take the D3300.
Canon 750D
The 750D is one of Canon's flagship models in the amateur segment. The camera has a 24 MP matrix with 19 focusing points (all cross-shaped), a rotating touch screen and a Wi-Fi module. The 750D can be praised for its high-quality noise reduction, thanks to which the pictures have acceptable detail up to ISO 6400, and excellent rate of fire - 5 fps, a buffer of 8 shots, which allows you to use the camera for reporting purposes.
Disadvantages - flimsy plastic body and the inability to record Full HD video with frame rates above 30 FPS. Price – from 40 thousand rubles.
Nikon D500
D500 – cropped camera professional level, tailored for reportage photography. The D500 inherits many of the features of the top-end D5, in particular it can shoot at speeds of up to 10 fps and has an advanced 153-point focusing system that allows you to get high-quality shots of any dynamic scenes.
Among the advantages of the D500 are a quiet sensor with a really working ISO 6400, lightning-fast operating speed, a rotating touch display, a large and bright viewfinder, as well as advanced control and configuration options. Price – from 130 thousand rubles.
Canon 7D Mark 2
The 7D Mark ll is an excellent choice for commercial photography. The camera, housed in a protected housing, has a professional autofocus system (65 cross points) and a viewfinder with 100% frame coverage. Among the main advantages are: high level working ISO (up to 3200), flawlessly working exposure metering and natural color rendition.
Mirrorless cameras with interchangeable lenses
If you are buying a camera “for the hobby”, then it makes sense to choose mirrorless cameras, which are much more convenient due to their compact dimensions, but at the same time are practically not inferior to DSLRs in terms of photo quality, and are far ahead in terms of video recording capabilities.
Sony A7 II
The Sony A7 II is a professional-level full-frame mirrorless camera that claims to be the best BZK on the market. The camera is equipped with a 24 MP matrix, a hybrid autofocus system (117 phase and 25 contrast sensors) and a 5-axis matrix image stabilization system.
The A7-II without any problems allows you to get a “cinema” picture when recording video, which is recorded in 4K, 2K and Full HD formats (24-50 FPS), and does not give up when shooting photos - the matrix feels good at ISO up to 6400. Price – from 230 thousand rubles.
Panasonic G7
If you want to make great videos, but are not ready to pay 230 thousand for a Sony A7-ll, then the Panasonic G7 is your choice. This is the most affordable UPC with the ability to record video in 4K (24/25/30 FPS), which boasts a tenacious and fast autofocus of 49 points, a folding screen and a Wi-Fi module.
However, for high video quality (and it’s really excellent here), you have to sacrifice photo capabilities. Pictures taken on the G7 often lack detail, and the matrix is noisy even at ISO 1600. But all this is covered by the price, which is only 50-60 thousand rubles.
Fujifilm X-T2
The X-T2 is Fujifilm's flagship mirrorless camera and can be considered one of the most technologically advanced hybrid cameras on the market. The X-T2 is strong both in photography (excellent detail and color rendition) and in video shooting (4K): it is equipped with a 325-point autofocus system that confidently copes with any shooting scenarios, and can shoot at a frequency of up to 15 frames per second .
Among the advantages of X-T2 are: beautiful design and a housing protected from dust and moisture, long battery life on a single charge, decent picture quality at high ISO ranges. There are no shortcomings as such, we will only note small controls that will be difficult for those with large hands to handle. Price – from 110 thousand rubles.
Olympus OM-D E-M10 II
In the budget UPC segment, the king of the show is the E-M10ll, which outperforms its competitors in terms of functionality and balance of characteristics. The device is made in a metal case with a retro stylization, the matrix resolution is 16 MP, the pictures are very warm and bright, pleasant in color rendition both in RAW and JPEG, without any post-processing. Working ISO up to 3200.
OLYMPUS DIGITAL CAMERA We included the E-M10ll in the rating as universal choice for any beginner amateur photographer and people who do not want to pay exorbitant amounts of money for a camera. This is a beautiful camera with excellent image quality, which can be bought for only 35-40 thousand rubles.
Compact cameras
The compact camera segment is extremely diverse, in it you can find everything from banal point-and-shoot cameras costing several thousand to premium full-frame cameras that cost more than professional full-frame SLRs. This is the camera that starts our rating.
Sony Cyber-Shot RX1R II
The price of Sony RX1R II is a crazy 290 thousand rubles. The camera is capable of surprising with a 42 MP matrix, a 35/2.0 Carl Zeiss Sonar T lens, an electronic viewfinder, a tilting touch screen and Wi-Fi. And of course – the best autofocus system among compacts and a huge dynamic range (maximum working ISO 6400).
In terms of photography, the RX1R II is excellent, the picture is bright, rich and detailed, even when shooting a camera JPEG, but with video it’s not so smooth. The device cannot record in 4K and cannot boast of autofocus in video shooting mode. In general, for street photography, subject to an unlimited budget, this is just the thing.
Panasonic Lumix DMC-LX100
The Lumix DMC-LX100 is notable for its Leica lens (24-75 mm f/1.7-f/2.8 zoom) and the ability to record video in 4K, which is extremely rare among compacts. In all other respects, this is a perfectly balanced camera with a full range of technological features (viewfinder, Wi-Fi, numerous mechanical elements controls, a fast processor that allows you to shoot at a frequency of up to 11 fps).
OLYMPUS DIGITAL CAMERA In our opinion, if you are satisfied with the focal length of the built-in lens, it is better to choose the DMC-LX100 than the DSLR/BZK + lens kit. Thus, you will benefit from ease of use (dimensions, weight), and in addition you will be able to save a lot of money. Price – from 49 thousand rubles and a well-deserved rating of 5 points in terms of price/quality ratio.
Fuji X70
The X70 is equipped with a fixed Fujinon 28/2.8 lens, which allows you to take pictures of amazing quality - both in terms of sharpness and color rendition. This is an excellent camera for street photography, which has a compact size and fast automation, which makes it possible to take the camera out of your pocket and take a photo in a matter of seconds.
Among the advantages of the X70 are design, convenient controls, wide dynamic range and decent working ISO (3200). Disadvantages: lack of a viewfinder and image stabilization system. Price – from 40 thousand rubles.
Olympus TG-4
The Olympus TG-4 is a relatively cheap compact, an excellent choice for people whose main hobby is photography. The TG-4 is ideal for any operating conditions, from everyday photography to extreme vacation photography, which the camera will withstand with dignity thanks to its dust- and moisture-protected housing (shooting at a depth of up to 15 meters is possible).
OLYMPUS DIGITAL CAMERA Among the pleasant little things, we highlight RAW support, optical stabilization, fast and accurate autofocus, the presence of Wi-Fi and GPS modules, as well as the ability to shoot in aperture priority mode with manual ISO settings, which allows you to squeeze maximum photo quality out of the TG-4 in low light. Cons: Mediocre video quality. Price – from 21 thousand rubles.
